Text translated from Danish by Dan Marmorstein. Originally published in the Norwegian edition of Le Monde diplomatique, 2013, and in the Exit catalogue Afgang 2013 of the Royal Danish Academy of Fine Arts, Schools of Visual Art, 2013.

It is a text of art theory in relation to the question of the barricade and other revolutionary forms of action.

Seminar at the Moesgaard museum near Aarhus, November 2014. The program

The “Camera as Critique"-experience at the University of Århus, “Girl with Parasol – Japan in the Photo Studio": an exposition at the National Museum of Denmark, Copenhagen, the Anu-research of Fosco Maraini, photo documentation in Japanese research.

Introduction and translation by James Day of a chapter from my book in Danish about May 68. Published on-line by Mute.

The fusion between state-capitalism and private capitalism produced more market and more bureaucrazy at the same time. The 1989-1990 collaps of “socialism in one country" in Russia gave little by little more space for the Cheka agency and the Andropov legacy and reduced the power of the Communist Party of the Soviet Union. In mainland China the opening of the market of Chinese labour power gave Western capital acces to an exploitation at a very large scale called “production of general surplus-value" by Gustav Bunzel.

Release of the Seminar “Images and Research”
Interventions from the Seminar about Visual Anthropology at Moesgaard Museum, Aarhus, November 17th and 18th, 2014. Organized by the Project “Camera as Cultural Critique” at the Department of Anthropology, Aarhus University, and the late Department of Art Theory and Communication at the Royal Danish Academy of Fine Arts – Schools of Visual Art.

Testimony, archive, documentation, critique of assimilation, reconsidering an anthropological legacy

About the art work of Pia Arke and the question of the Art institution

Critique of identity, global aesthetics, published in Afterall # 44, 2017