Spørgsmålet om centrismens opdukken midt i opstandene. Teksten henter sine argumenter i de historiske revolutioners lære, i Duchamps kunst samt i en vurdering af situationen 2012. Den tyske revolution 1918-1919 fungerer atter paradigmatisk. Sensus communis udgør det andet paradigme.

Release of the Seminar “Images and Research”
Interventions from the Seminar about Visual Anthropology at Moesgaard Museum, Aarhus, November 17th and 18th, 2014. Organized by the Project “Camera as Cultural Critique” at the Department of Anthropology, Aarhus University, and the late Department of Art Theory and Communication at the Royal Danish Academy of Fine Arts – Schools of Visual Art.